A Professional Recording Studio, Upstate New York
From the early days… to now
Between 1995 and 2013, my facilities 15 East 31st Street, just blocks from the Empire State Building, were a time capsule for New York’s finest and most diverse music. I had the privilege of working with stellar musicians from across the world as they passed through town. But the relentless New York rush, tracking between gigs, flights, or appointments, meant sessions were efficient and rewarding, yet ultimately exhausting. After nearly two decades in a control room with no daylight, I moved to Upstate New York to change rhythm and enjoy the wildlife of the Hudson Valley.
In 2020, when the pandemic halted a project that I was overseeing on the coast of Maine, my crew and I chose to confine Upstate New York and build a world class studio on my property, tucked in the woods by the Hudson River.
We integrated nature directly into the architecture. Here, the recording process is framed by the change of seasons and the surprise of a fox or deer passing by the windows. We quickly discovered that when musicians arrived for a day, the stillness of the woods made them unwind so deeply that they didn’t want to leave. To support that flow, we transformed part of our home to host our guests, allowing the creativity to breathe without interruption.
Since 1995, One Soul Studios has evolved tremendously. We moved from the “speed and efficiency” of the city where every mic was pre-set to maximize takes to a residential destination where we take the time to listen, take chances, and define the artistic colors of a project together.
I believe these last 31 years as an acoustician and engineer have been a preparation for the best work yet to come.
One Soul studios – 15 East 31st street, NYC (1995- 2013)
Analogue & Digital
Vintage Warmth for the Future
The Mic locker
We’ve curated a collection that emphasizes detail, depth, and character. From iconic tube warmth to ultra-transparent reference pairs, our locker is ready to hear you.
Condenser
Brauner VMA Tube (VM1 & VMX capsules), Josephson C700S,
Neumann:(4) M149 Tube, (1) U87 Ai, (1) TLM 193, KM 184 Matched Pair.
Stereo Pairs & Ribbon
DPA 2532-SP Large Diaphragm Kit (4041-sp Matched Pair), Schoeps MK4 & MK21 Matched Pairs, Coles 4038 Matched Pair, Royer R-122V Vacuum Tube Matched Pair, Royer R-122 MKII, AEA-A440
Specialty
Neumann KU 100 Binaural Head, Schoeps Decca Tree set 2H (using MK 2H/CCM 2S capsules)
Workhorses
A full selection from AKG, Audio-Technica, Audix, Sennheiser and Shure.
Outboard Gear-Monitoring
Our signal chain is built on world-class transparency and musicality, anchored by Merging Technologies Horus & Hapi converters and Samplitude Pro X8.
Preamps
W. Fearn VT-2, John Hardy M-1, Millennia HV-3D, Neve 5211, Focusrite ISA Two, GP Electronics, PML200E, Horus- Merging technologies.
Effects & Processing
Bricasti M7, Lexicon PCM96, Neve Portico II Master Bus Processor, Manley Stereo Variable Mu (Mastering Version with M/S & T-Bar Mod).
Artist Monitoring
Aviom personal headphone mixers (6) for precise, artist-controlled cue mixes.
Control Room Monitoring
Klinger Favre Audio Studio 17 UT speakers, Master DAC and Amplifier
And for our Analogue Ritual
Our Dr. Feickert Woodpecker turntable offers a moment of tactile listening. Mostly used for a reference check after hours. It is a steady, musical reference for listening to LP’s or simply rediscovering the depth of a classic press.
Our Audiophile listening room displays Klinger Favre Audio pairs of Studio 38, Studio 17 UT and D66 UT speakers, Master Amplifiers, Aurender streamers.
Creation is a collective
“Technical precision, top tier equipment & great acoustics matter, but 31 years in the studio, have taught me that partnership matters more. I aspire to provide the technical support needed to protect your creative flow, ensuring the technology always serves the music—never the other way around.”
In the city, recording is often about efficiency. Here, it is also about exploration.
My role is to listen and ultimately capture the most authentic version of your work.
Frequently asked questions
How far in advance should I book?
For day sessions, please reach out at least two weeks in advance to allow time for piano tuning and technician scheduling.
For residencies of two days or more, we recommend booking a few months in advance to secure your preferred dates.
Can I bring my own engineer?
Our system is designed to be flexible, allowing guest engineers to set up independently.
What is the minimum booking?
A 4 hour block is our minimum. It ensures every project has the space and focus it deserves. We do not offer hourly bookings and a full day is an 8 hour day. For those traveling from outside the Hudson Valley, we recommend a two-day residency to fully settle into the environment.
Are accommodations included in the booking?
Yes. Our studio is a residential facility, and our recording packages includes the use of our guest rooms for multi-day sessions. This allows you to settle in, unwind, and focus entirely on the music.
What instruments are available on-site?
Our studio is centered around a curated collection of three distinct Steinway grand pianos, each offering a unique tonal character. In addition to our pianos, we provide a vintage set of Ludwig drums, and a pearl pro export kit. 2 Congas & and a set of timbales.
Do you provide on-site recording services
YES, you can inquire with us by Clicking on the Tab: Tell us about your project and fill in
the specifics.
